This bell sound is built using two layers of frequency modulation synthesis centered on the note C5 (523.25 Hz). The main layer uses a modulator at 3.5 times the carrier frequency, producing a glassy, metallic tone with a fast attack and a long 2-second exponential decay. A second layer two octaves higher adds brightness and shimmer through a modulator at 5.21 times the carrier, detuned slightly between left and right channels to create a wide stereo effect. A 200 Hz high-pass filter cleans up low-end rumble, while subtle tanh saturation warms the digital timbre without distortion.
It suits genres that benefit from bright, airy percussive textures like ambient, chillout, and electronic, especially at moderate tempos where the long decay can breathe. Layer it with softer pads or reverb to enhance its spaciousness, but watch for overlapping frequencies in busy mixes since its high-frequency shimmer is quite prominent. The stereo width adds movement, so consider how it fits in the stereo field to avoid clutter.